Now Playing

The Drop

Friday, 10/31 – Thursday, 11/6

Starring: James Gandolfini, Noomi Rapace, Tom Hardy

THE DROP is a new crime drama from Michaël R. Roskam, the Academy Award-nominated director of BULLHEAD. Based on a screenplay from Dennis Lehane (MYSTIC RIVER, GONE BABY GONE), THE DROP follows lonely bartender Bob Saginowski (Tom Hardy) through a covert scheme of funneling cash to local gangsters - "money drops" - in the underworld of Brooklyn bars. Under the heavy hand of his employer and cousin Marv (James Gandolfini), Bob finds himself at the center of a robbery gone awry and entwined in an investigation that digs deep into the neighborhood's past where friends, families, and foes all work together to make a living - no matter the cost.

  • Director: Michael R. Roskam
  • Rating: R
  • Runtime: 1 hour 46 minutes
  • Genre: Drama, Crime

Showtimes

  • Fri, 10/31 — 7 & 9:15 pm
  • Sat, 11/1 — 4:30 & 7 & 9:15 pm
  • Sun, 11/2 — 3 & 5:30 pm
  • Mon, 11/3 — 3 & 9:15 pm
  • Tue, 11/4 — 7 & 9:15 pm
  • Wed, 11/5 — 4:30 & 7 & 9:15 pm
  • Thu, 11/6 — 9:15 pm

“I found this dark odyssey through an amoral dream Brooklyn curiously invigorating; it’s a masterful construction that held me rapt from first shot to last, that builds intense electrical energy and then releases it.”

– Salon.com

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An actor (Michael Keaton)—famous for portraying an iconic superhero—struggles to mount a Broadway play. In the days leading up to opening night, he battles his ego and attempts to recover his family, his career, and himself.

  • Director: Alejandro González Iñárritu
  • Rating: R
  • Runtime: 1 hour 59 minutes
  • Genre: Drama, Comedy

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– Hollywood Reporter

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  • Rating: R
  • Runtime: 1 hour 40 minutes
  • Genre: Comedy, Drama

“Like the movie itself, every character is a beautiful swirl of contradictions.”

– Slant

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Starring: Miles Teller, J.K. Simmons, Melissa Benoist, Paul Reiser

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  • Director: Damien Chazelle
  • Rating: R
  • Runtime: 1 hour 46 minutes
  • Genre: Drama

“It aims at, and finally achieves, an authenticity at once more exalted and more primal than mere verisimilitude.”

– A.O. Scott, New York Times